Of course, me being as special as I am, I thought it was a message from my long, lost Alien overlords. Or better yet, my real (superhero) parents! Alas, it was just a prank from ELLEN "smash my dreams of epicness to hell" DEGENERES. It was still pretty cool though. Imagine if I had seen this while stoned or drunk... or both!
A spaceship crashed in my back yard, a robot came out and ate my homework. Life hasn't been the same since.
Monday, March 14, 2011
Message from the few-tcha
So, I get to my moms this morning and she's got the DVR on. I tap the remote to see what's recording when I see this frozen on the giant, Toshiba flatscreen:
Friday, March 4, 2011
Ah snap!
This week TVSquad named Laura Roslin the second Most Memorable TV Character ever. Now, understand, I live and breathe Science Fiction and by 'live and breath' I mean I don't watch movies that lack spaceships, robots, time travel, superheroes or anything OTHER THAN sex, drugs and rock and roll and confused people doing ordinary stupid shit.
So, when it comes to heroines, you also have to understand that this girl (moi!) who grew up on the classics (Carol Burnett, Cagney and Lacey and Lucille Ball) understands the importance of groundbreaking female characters in an industry (and WORLD) that prides itself on male energy.
So imagine when I was in my mid-20's and Ronald D. Moore created a female hero who had no gun, no superpowers, no supersecret destiny that eluded to godlike parents or the like, who would basically save humanity. That is what happened when Mary McDonnell took on the task of portraying the great and powerful Laura Roslin.
I thought Xena kicked ass. Then Buffy. Then Dana Scully. But nothing, and I mean... NOTHING... prepared me for Laura Roslin. Here was a middle-aged, average (or so we are led to believe) woman, portrayed by, honestly one of the more beautiful actresses on TV... Mary McDonnell, who was cursed with the task of bringing humanity back from the brink of annihilation.
People who never watched BSG will never understand and that is their curse. Honestly, especially for the young women who are mad at the final decision TVsquad made to elect Laura Roslin to the 2nd tier of 100 other choices, because they fail to realize that a woman they can actually aspire to be and aspire to admire actually graced the small screen and saved the world.
She may not have been so and so's girlfriend... and maybe for them, she wasn't a SOAP OPERA-esque character guaranteed to give viewers nothing but fluff, candy-colored visuals and cheesy story lines, but for me, she saved the whole world. She saved it while she was dying. She did it selflessly and she did it with the soul of one of the best actresses of our generation.
How can you even try to argue with that?
Wednesday, March 2, 2011
Monday, February 28, 2011
Superheroes and Secret identities made of WIN
It's an animated film and it shouldn't cause anyone to start waxing intellectual, but everytime I see it I wander just how brilliant a concept it is to have an alternate identity. Not for your average Joe or Jane per se, but for the crime fighter.
We all know Batman is Bruce Wayne and vice versa, but do we every really consider that some of the Superheroes have a far better approach to masked identities than most. I am a huge Wonder Woman fan. Always have been. But if I were to become a Superhero tomorrow I wouldn't be a flashy showcase of patriotism. Instead I'd opt for the black out effects of the Batwoman costume. In a dark room you couldn't see me coming.
The Green Lantern is too bright. So is the Flash. But that is what endears them to us all. Captain Marvel has a huge, flashy thunderbolt cut across his chest. Superman is as obvious as Wonder Woman. Old school Wolverine's YELLOW was a giant LOOK AT ME sign.
When it comes to costumes and comic books, the flashier the better because it draws the eye to the character. The appeal is just as much in the costume as it is in the powers. Sometimes the costume is the root of all powers. It's cool on the page, but on screen and in reality, if any one character had it aced, it'd be Batman and his ilk.
They roam in the dark, despite the fact that crime also happens in the day. The BATconglomerate blend in with the shadows. They are like ghosts almost. They are invisible until they want you to see them coming and most of the time, they don't.
While Robin is flashy in his yellow, green and red, it becomes obvious that Robin is a sidekick and young and colors play to that effect. Again... costumes as identifying the character is key here. When I imagine Superheroes I do think of a splash page drawn by George Perez or Alex Ross, where colors jump out at you--- crimson, gold, emerald green and flecks of sun yellow--- because Superheroes are meant to be seen.
When you are pinned under a car in a world inhabited by superhumans, you are looking out for the infamous colors that identify them. That is the brilliance of it all. Wonder Woman IS red, white, blue and gold. Superman IS red and blue. The flash IS red and gold.
It's no different than hearing sirens and spotting the Fire Department based on their colors. The same goes for the Police Department. The costume is the calling card.
It's no different than hearing sirens and spotting the Fire Department based on their colors. The same goes for the Police Department. The costume is the calling card.
Heroes (real or imagined) are identifiable in that familiar way by the obviousness of their identities, written across their chests. But in the real world where standing out and proclaiming your powers could be anything but awesome (because some people will always have a problem with authority), being invisible is the way to go. After all, if they can't see you... they can't see you coming.
You can watch BATMAN: MYSTERY OF THE BATWOMAN on Netflix.
Saturday, February 26, 2011
How to live freely in a Alternate, Fringe Universe...
Last nights Fringe was a revelation of sorts. Walternate IS evil. Our Walter is not. FauxLivia is just a babymama, OurLIVIA will save the world. Yeah, I am getting way ahead of myself here, but bare with me... in time, I shall make perfect sense.
So it seems that OurLivia has been trippin' the light fantastic for some time now. How she blacked out on the whole experience remains to be seen, considering Walter Bishop had a soft spot for her. He practically saved her from an abusive stepfather. Not to mention, Peter was there at a pivotal, developmental point in her life and she didn't remember him either?
What exactly happened that made all the other Cortexifan kids remember Walter and the tests, but caused Olivia to forget? I hope they address this soon, but for now, I am completely immersed in a few revelations, like Peter's mother from this Universe drinking herself into oblivion which is the exact opposite to the Alternaverse where Walternate was just about to do the same.
The way both parents, from opposite universes, tried to cope with the loss of their children was heartbreaking but also rendered them a humanity they wouldn't have gotten otherwise since Peter's FauxMother died a while ago and Walternate is the Big Bad.
We discovered that Peter was more aware of his place in the Universe than we first thought. He tried to find his home at the bottom of a frozen lake for heaven sakes. The fact that he was manipulated, however reluctantly to believe he was suffering with delusions do to his prolonged illness shows how far Walter would go to not so much as keep Peter to himself, but more so not to affect the delicate balance between the Universes any more than he already has.
The one truly intriguing aspect for me, every episode, is the Blimp. It comes and goes every time both Universes meet and I wonder who is piloting it... what purpose does it serve? Mostly, it reminds me of a story I started writing years ago, back in high school, and so I can't help but wonder if the blimp is the all seeing eye that will reveal all to those with the power to destroy the universes, in due time.
So far we know that Walternate saw Olivia and discovered where is son went. We know that Walter wasn't exactly a Dr. Frankenstein. We now know who the Lab Assistant fated to die in a fire in Walter's lab is, and dare I venture to speculate, the probable origins of the fire (because making emotional charged children jump between worlds apparently causes large dispersions of energy).
Finally, we discover that all though FauxLivia has wrapped her twin talons around Peter's heart and will eventual tip the scales regarding his fate, it was OurLivia all along that set him on his current path. So, who will he choose?
I cannot wait to find out. If you missed it, you can watch it below. Enjoy!
Friday, February 25, 2011
Question of the Day!
(The Dopeness is by Fiona Staples)
Prom season is not that far away. March is around the corner and before you know it, your kids, nieces and nephews and weird people you know who never had a prom and intend to crash someone else's will be looking for something to wear.
A Prom is like a Zombie Invasion in and of itself, if you think about it. Hordes of dumb teenagers trying to get drunk and laid. So my question is:
"If a Zombie Outbreak took place during your prom, how would you handle it? Would you hide until it blew over? Would you step up and start taking down Zombies (starting with the cheerleaders and football players)? Or... would you be the preemptive nerd with all the deets to FEMA, the CDC and the NATIONAL GUARD, breaking down what's happening and trying to get help? Or, would you do something I haven't thought about?"
Give me your best answers in the comments section.
Thursday, February 24, 2011
Battle: My brain
So, today my mom took my little sister to see the latest Adam Sandler film. When they got back I expected her to go on about Jennifer Aniston, because somehow that is all chicks over forty like to talk about: Other chicks over forty who look good on film. Anyhow, there I was, sitting in the kitchen, surfing the world wide weird and sippin' coffee when she said, "Oh my god! Did you know there's an alien movie coming out! Battle:Earth?" And of course, I am like, "Battle: Los Angeles?" And she is like, "Yes! I saw it and I was like YOU need to go see that!" She's looking dead at me, the resident Science Fiction and UFOnut(Naut?).
If you have no idea what I am talking about, check out the trailer:
Now, the title may be familiar to those of you still giving SYFY ratings because they are doing a knock off version, with the same title. Minus the colons. Both movies harken back to an actual incident from 1942. Aliens didn't exactly attack and take over, but hey, if you've ever read Mark Millar's WANTED (the graphic novel, not the shittastic film), then you may have to accept the possibility that we may be living in an alternate timeline where Superheroes have been eradicated and relegated to myth and legend and aliens have invaded, destroyed our leaders and then put us in a dreamworld, à la Matrix where we sit in stasis, getting the life sucked out of us, like the bio-batteries that we are.
Damn. I actually came up with all that on my own!
Battle: Los Angeles hits theaters 3.11.11
If you have no idea what I am talking about, check out the trailer:
Now, the title may be familiar to those of you still giving SYFY ratings because they are doing a knock off version, with the same title. Minus the colons. Both movies harken back to an actual incident from 1942. Aliens didn't exactly attack and take over, but hey, if you've ever read Mark Millar's WANTED (the graphic novel, not the shittastic film), then you may have to accept the possibility that we may be living in an alternate timeline where Superheroes have been eradicated and relegated to myth and legend and aliens have invaded, destroyed our leaders and then put us in a dreamworld, à la Matrix where we sit in stasis, getting the life sucked out of us, like the bio-batteries that we are.
Damn. I actually came up with all that on my own!
Battle: Los Angeles hits theaters 3.11.11
The Saturn Awards
There are plenty of SATURN AWARD pics of the statuette by its lonesome, but c'mon...
a Saturn in the hands of Starbuck and Adama?
PRICELESS.
(For everything else, there's AMERICAN EXPRESS.)
The Walking Dead was awesome. Inception was awesome enough to make the dumbest people I know put on their thinking caps. Both are in the lead for the 37th Annual Saturn Awards. Other notable nominations include Clint Eastwood's Hereafter, Scott Pilgrim Vs. The World, Kick-ass and the current love of my life, Fringe.
Here's the complete list of Nominees (courtesy of Blastr.com):
FILM
Best Science Fiction Film
Hereafter (Warner Bros.)
Inception (Warner Bros.)
Iron Man 2 (Paramount/Marvel)
Never Let Me Go (Fox Searchlight)
Splice (Warner Bros.)
Tron: Legacy (Walt Disney Studios)
Best Fantasy Film
Alice in Wonderland (Walt Disney Studios)
The Chronicles of Narnia: The Voyage of the Dawn Treader (20th Century Fox)
Clash of the Titans (Warner Bros.)
Harry Potter and the Deathly Hallows: Part 1 (Warner Bros.)
Scott Pilgrim vs. The World (Universal)
Twilight: Eclipse (Summit Entertainment)
Best Horror/Thriller Film
The American (Focus)
Black Swan (Fox Searchlight)
Kick-Ass (Lionsgate)
Let Me In (Overture/Relativity Media)
Shutter Island (Paramount)
The Wolf Man (Universal)
Best Action/Adventure Film
The Expendables (Lionsgate)
The Green Hornet (Sony)
Red (Summit Entertainment)
Robin Hood (Universal)
Salt (Sony)
True Grit (Paramount)
Unstoppable (20th Century Fox)
Best Actor
Jeff Bridges (Tron: Legacy) (Walt Disney Studios)
George Clooney (The American) (Focus)
Leonardo DiCaprio (Inception) (Warner Bros.)
Leonardo DiCaprio (Shutter Island) (Paramount)
Robert Downey, Jr. (Iron Man 2) (Paramount/Marvel)
Ryan Reynolds (Buried) (Lionsgate)
Best Actress
Cecile De France (Hereafter) (Warner Bros.)
Angelina Jolie (Salt) (Sony)
Carey Mulligan (Never Let Me Go) (Fox Searchlight)
Ellen Page (Inception) (Warner Bros.)
Natalie Portman (Black Swan) (Fox Searchlight)
Noomi Rapace (The Girl With the Dragon Tattoo) (Music Box Films)
Best Supporting Actor
Christian Bale (The Fighter) (Paramount)
Andrew Garfield (Never Let Me Go) (Fox Searchlight)
Tom Hardy (Inception) (Warner Bros.)
Garrett Hedlund (Tron: Legacy) (Walt Disney Studios)
John Malkovich (Red) (Summit Entertainment)
Mark Ruffalo (Shutter Island) (Paramount)
Best Supporting Actress
Scarlett Johansson (Iron Man 2) (Paramount)
Keira Knightley (Never Let Me Go) (Fox Searchlight)
Mila Kunis (Black Swan) (Fox Searchlight)
Helen Mirren (Red) (Summit Entertainment)
Vanessa Redgrave (Letters to Juliet) (Summit Entertainment)
Jacki Weaver (Animal Kingdom) (Sony Pictures Classics)
Best Performance by a Younger Actor
Logan Lerman (Percy Jackson & The Olympians: The Lightning Thief) (20th Century Fox)
Frankie/George McLaren (Hereafter) (Warner Bros.)
Kodi Smit McPhee (Let Me In) (Overture/Relativity Media)
Chloe Grace Moretz (Let Me In) (Overture/Relativity Media)
Will Poulter (The Chronicles of Narnia: The Voyage of the Dawn Treader) (20th Century Fox)
Hailee Steinfeld (True Grit) (Paramount)
Charlie Tahan (Charlie St. Cloud) (Universal)
Best Director
Darren Aronofsky (Black Swan) (Fox Searchlight)
Clint Eastwood (Hereafter) (Warner Bros.)
Christopher Nolan (Inception) (Warner Bros.)
Matt Reeves (Let Me In) (Overture/Relativity Media)
Martin Scorsese (Shutter Island) (Paramount)
David Yates (Harry Potter & The Deathly Hallows: Part 1) (Warner Bros.)
Best Writing
Michael Arndt (Toy Story 3) (Walt Disney Studios/Pixar)
Alex Garland (Never Let Me Go) (Fox Searchlight)
Mark Heyman, Andres Heinz, John McLaughlin (Black Swan) (Fox Searchlight)
Peter Morgan (Hereafter) (Warner Bros.)
Christopher Nolan (Inception) (Warner Bros.)
Matt Reeves (Let Me In) (Overture/Relativity Media)
Best Music
Daft Punk (Tron: Legacy) (Walt Disney Studios)
Clint Eastwood (Hereafter) (Warner Bros.)
Michael Giacchino (Let Me In) (Overture/Relativity Media)
Gottfried Huppertz (as conducted by Frank Strobel) (The Complete Metropolis) (Kino Lorber)
John Powell (How to Train Your Dragon) (Paramount/DWA)
Hans Zimmer (Inception) (Warner Bros.)
Best Costume
Colleen Atwood (Alice in Wonderland) (Walt Disney Studios)
Milena Canonero (The Wolf Man) (Universal)
Isis Mussenden (The Chronicles of Narnia: The Voyage of the Dawn Treader) (20th Century Fox)
Jany Temime (Harry Potter & The Deathly Hallows: Part 1) (Warner Bros.)
Michael Wilkinson (Tron: Legacy) (Walt Disney Studios)
Janty Yates (Robin Hood) (Universal)
Best Make-Up
Howard Berger, Gregory Nicotero - (Splice) (Warner Bros.)
Andrew Clement, Donald J. Mowat - (Repo Men) (Universal)
Andrew Clement, Jennifer McDaniel, Tarra Day - (Let Me In) (Overture/Relativity Media)
Mark Coulier, Nick Dudman, Amanda Knight - (Harry Potter & The Deathly Hallows: Part 1) (Warner Bros.)
Rick Baker, Dave Elsey - (The Wolf Man) (Universal)
Lindsay MacGowan, Shane Mahan - (Alice in Wonderland) (Walt Disney Studios)
Best Production Design
Kathy Altieri (How to Train Your Dragon) (Paramount/DWA)
Dante Ferretti (Shutter Island) (Paramount)
Darren Gilford (Tron: Legacy) (Walt Disney Studios)
Rick Heinrichs (The Wolf Man) (Universal)
Guy Hendrix (Inception) (Warner Bros.))
Robert Stromberg (Alice in Wonderland) (Walt Disney Studios)
Best Special Effects
Eric Barba, Steve Preeg, Karl Denham, Nikos Kalaitzidis - (Tron: Legacy) (Walt Disney Studios)
Angus Bickerton, Barrie Helmsley - (The Chronicles of Narnia: The Voyage of the Dawn Treader) (20th Century Fox)
Tim Burke, John Richardson, Nicholas Ait'Hadi, Christian Manz - (Harry Potter & The Deathly
Hallows: Part 1) (Warner Bros.)
Chris Corbould, Paul Franklin, Andrew Lockley, Peter Begg- (Inception) (Warner Bros.)
Ken Ralston, Tom Peitzman, David Schaub, Carey Villegas-(Alice in Wonderland) (Walt Disney Studios)
Janek Sirrs, Ben Snow, Ged Wright, Daniel Sudick - (Iron Man 2) (Paramount/Marvel)
Best International Film
The Complete Metropolis (Kino Lorber)
Centurion (Magnolia Pictures)
The Girl with the Dragon Tattoo (Music Box Films)
Monsters (Magnolia Pictures)
Mother (Magnolia Pictures)
Rare Exports: A Christmas Tale (Oscilloscope Laboratories)
Best Animated Film
Despicable Me (Universal)
How to Train Your Dragon (Paramount/DWA)
Legend of the Guardians: The Owls of Ga'Hoole (Warner Bros.)
Shrek Forever After (Paramount/DWA)
Tangled (Walt Disney Studios)
Toy Story 3 (Walt Disney Studios/Pixar)
TELEVISION
Best Network Series:
Fringe (Fox)
Lost (ABC)
Smallville (CW)
Supernatural (CW)
V (ABC)
The Vampire Diaries (CW)
Best Syndicated/Cable Television Series:
Breaking Bad (AMC)
The Closer (TNT)
Dexter (Showtime)
Eureka (SyFy)
Leverage (TNT)
Spartacus: Blood and Sand (Starz)
True Blood (HBO)
Best Television Presentation:
Doctor Who: A Christmas Carol (BBC America)
Kung Fu Panda Holiday Special (NBC)
The Pillars of the Earth (Starz)
Sherlock (PBS)
Spartacus: Gods of the Arena (Starz)
The Walking Dead (AMC)
Best Actor in Television:
Bryan Cranston (Breaking Bad) (AMC)
Matthew Fox (Lost) (ABC)
Michael C. Hall (Dexter) (Showtime)
Timothy Hutton (Leverage) (TNT)
Andrew Lincoln (The Walking Dead) (AMC)
Stephen Moyer (True Blood) (HBO)
Best Actress in Television:
Sarah Wayne Callies (The Walking Dead) (AMC)
Erica Durance (Smallville) (CW)
Elizabeth Mitchell (V) (ABC)
Anna Paquin (True Blood) (HBO)
Kyra Sedgwick (The Closer) (TNT)
Anna Torv (Fringe) (Fox)
Best Supporting Actor in Television:
Michael Emerson (Lost) (ABC)
John Noble (Fringe) (Fox)
Dean Norris (Breaking Bad) (AMC)
Terry O'Quinn (Lost) (ABC)
Aaron Paul (Breaking Bad) (AMC)
Lance Reddick (Fringe) (Fox)
Steven Yeun (The Walking Dead) (AMC)
Best Supporting Actress in Television:
Morena Baccarin (V) (ABC)
Gina Bellman (Leverage) (TNT)
Jennifer Carpenter (Dexter) (Showtime)
Laurie Holden (The Walking Dead) (AMC)
Lucy Lawless (Spartacus: Blood and Sand) (Starz)
Beth Riesgraf (Leverage) (TNT)
Best Guest Starring Role in Television:
Richard Dreyfuss (Weeds) (Showtime)
Noah Emmerich (The Walking Dead) (AMC)
Giancarlo Esposito (Breaking Bad) (AMC)
Joe Manganiello (True Blood) (HBO)
John Terry (Lost) (ABC)
Seth Gabel (Fringe) (Fox)
DVD:
Best DVD Release:
The Disappearance of Alice Creed (Anchor Bay)
District 13: Ultimatum (Magnolia)
The Good Heart (Magnolia)
Never Sleep Again: The Elm Street Legacy (1428 Films)
The New Daughter (Anchor Bay)
The Square (Apparition)
Best DVD Special Edition:
Avatar (Extended Collector's Edition) (Fox)
Monsters (Special Edition) (Magnolia)
Red Cliff (International Version) (Magnolia)
Robin Hood (Unrated Director's Cut) (Universal)
Salt (Deluxe Unrated Edition) (Sony)
The Wolf Man (Unrated Director's Cut) (Universal)
Best DVD Classic Film Release:
The Complete Metropolis (Kino Lorber)
Cronos (Criterion Collection)
The Exorcist (Extended Director's Cut) (Warner)
King Kong (Warner)
Pandora and the Flying Dutchman (Deluxe Edition) (Kino Lorber
Psycho (50th Anniversary Edition) (Universal)
Best DVD Movie Collection:
Alien Anthology (Fox)
Back to the Future 25th Anniversary Trilogy (Universal)
Clint Eastwood 35 Films 35 Years at Warner Bros. (Warner)
Fantomas: Five Film Collection (Kino Lorber)
Film Noir Classic Collection, Volume 5 (Warner)
Vengeance Trilogy (Tartan)
Best DVD Television Release:
Lost (The Complete Sixth and Final Season) (ABC Studios)
The Six Million Dollar Man (The Complete Collection) (Time Life)
Space 1999: The Complete Season One (Blu Ray) (A & E)
Thriller: The Complete Series (Image)
The Twilight Zone (Season 1 & 2) (Blu Ray) (Image)
Voyage to the Bottom of the Sea (Season 4, Volume 2) (Fox)
Stage Presentation:
Best Local Stage Production: Musical:
Beauty and the Beast (Orange County Performing Arts Center)
Leap of Faith (Ahmanson Theatre)
Young Frankenstein (Pantages Theatre)
Best Local Stage Production: Drama or Comedy
The 39 Steps (Ahmanson Theatre)
The Glass Menagerie (Mark Taper Forum)
The Lieutenant of Inishmore (Mark Taper Forum)
Best Local Stage Production: Small Theater:
The Arsonists (Odyssey Theatre)
U.S.S. Pinafore (Crown City Theatre Company)
Watson (Sacred Fools Theatre)
"V" is for Vagina
Morena Baccarin (Anna) and Jane Badler (Diana)
When the re-imagined/reboot of "V" first aired, I was there. I enjoyed the first half of the first season, but like most dark sci-fi shows about alien invasions, if you don't inject something new into it, you lose me. I've seen any and every plausible version of every invasion story Hollywood has to offer and I expected something refreshing and new from "V".
So I let it go. I figured it wouldn't last long. It would be cancelled soon.
It wasn't.
In fact, it has grown in story and perhaps in scope, as far as the loyal viewers are concerned. I didn't come back to the show on the expectation that the story was expanding. I came back for a smaller, yet nostalgic reason.
The original "V" aired in 1983. I was five and even then I was aware of the magnitude of the series. Reptilian aliens perpetrating as humans. The idea was already infiltrating some circles and solidifying for some, the belief that reptilian aliens were in fact trying to take over the world.
The paranoia made the series a success. Not a success in the scale of, say, The X-Files (as far as Alien invaders are concerned), but it became a cult hit nonetheless. Fast forward more than 20 years later and some people have made a name in Esoteric circles, discussing what they believe to be an inevitable plot by low-lying reptilian aliens to invade Earth.
Honestly, this resurgence started with Ron Moore's re-imagined Battlestar Galactica. The original Battlestar had reptilians. The success of Ron Moore's show ushered in the idea that "V" could make it with today's audience. So far, it is. Albeit slowly.
Which brings me to why I have suddenly returned to the show. I decided to watch again simply because Jane Badler is back as Diana. No longer the "Queen V" thanks to Morena Baccarin's chilly turn as Anna, but you still have no idea what "Grandma V" has up her sleeves.
Her granddaughter Lisa (Laura Vandervoort of Smallville fame) has fallen in love with a human and is experiencing human emotions. Her mother is using her as a tool to get what she needs in order to make the V's even more superior before taking over the Earth for good. Humans be damned.
There's the FIFTH COLUMN whose focus is to take Anna down at all costs and it seems like all the odds are against her, but what makes it all the more interesting is that her own mother and her daughter are willing to take her out too.
"V" is more of a 'Drama with your Mama' show with Science Fiction thrown in for flavor. It's about an alien Matriarchy that is more powerful than any male dominated power the world has ever seen? Alexander the Great who? Attila the what? The three generations of Queen V's are far scarier than any army of men coming over some unnameable hill in some undiscovered country of yore.
This is what has drawn me back to the show. The rarity of such female power in Science Fiction has left a hunger... a thirst even, for strong female leaders in Science Fiction. I can no longer look forward to Dana Scully, Laura Roslin, Kara Thrace or even Buffy the Vampire Slayer delivering some much needed Girl Power.
Even cooler still, the Fifth Column has lost its male leader and now Erica Evans (the lone Agent on a mission to get her son back from the manipulative clutches of Anna and save the world), is leading the rebel "V"s. More girl power. And with the super-advanced growth of Ryan's daughter, another power may soon loom over and threaten to consume Anna's pride. Could it get any more bitchier than that?
You can check out recaps and older episodes of "V" here.
Tune in every Tuesday @ 9/8c on ABC.
Sucker Punch Propaganda posters hit the web... ONE! TWO! PUNCH!
Sucker Punch doesn't hit theaters until March 25th (only a day after my berfday), but you can get in on the action now by uploading and admiring these posters for years to come. Yerp.
Check out the latest trailer:
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